This is one of the most exciting times of the year for me. Once a year I write a magical musical to celebrate the lives of Brazilian singer/songwriters.
Researching to write the script of the Brazilian Heart Celebration is like a puzzle. This year’s theme kept changing in my mind until all seemed to focus and make complete sense. In the beginning I wanted to celebrate 50 years of 1969, so I found out about the Brazilian hit parade of that year. Then, the political vibe of the present moment pushed me towards songs of protest and change in Brasil and the US. I read many books. 33 Revolutions Per Minute, Marching for Freedom about MLKJr, Gilberto Bem Perto about Gilberto Gil, and many biographies. I watched DVDs about Woodstock, Harry Belafonte and the Civil Rights Movement, Caetano and Gil’s exile in London, interviews with Belchior, Geraldo Vandré, documentaries about Woody Guthrie’s life, Bob Dylan, Joan Baez, and the music festivals in Brasil. After awhile, my brain usually mixes everything and I don’t know how to start. Then, I go through a restless period waking up in the middle of the night with vivid ideas of connections among composers, stories, and transition songs. Finally a light bulb comes on! Here we are: Songs of Protest and Change plus Honoring Gilberto Gil.
Since 2012 the show also celebrate the International Women’s Day. This year I invited singers Diana Purim and Emina Shimanuki, bassist Poliana Magalhães (just arrived from Portugal,) and drummer Ana Barreiro. I also invited Kanami (Kanushka, my Russian sister) to be our Vocal Director. I strongly believe in the power of group energy so artists stay on stage during the whole show. Nothing more intense than 12 women singing, playing, and acting with open hearts.
The moment is definitely asking for revisiting our acts of social and political change through music. Each singer will be singing two solo tunes, one in English and one in Portuguese. I suggested historical songs and after they were chosen, I worked on the stories and quotes around them, adding transition songs as well. My friend and actress Mariana Leite collaborated with me.
For many years I wanted to pay homage to singer/songwriter and Tropicália master Gilberto Gil. I admire him immensely and had the honor of opening his show at the House of Blues in Hollywood many years ago with my old band Sambaguru (thank you, Tita Lima.) When I went to see his duet with Caetano Veloso two years ago in downtown Los Angeles, I finally felt it was time to pay homage to him. Gil is a philosopher and a visionary. It was not hard to choose some of his songs, but I was left with the feeling that I would miss not playing many more.
I remember watching Gil at Canecão (show place now gone) in Rio about 30 years ago. The audience asked him to come back on stage three times. When he returned for the last time he said: “I’m getting old, guys,” and then laughed. What a charming and loving man. In his manners, words and actions.
Every year I invite new artists who besides being talented, are also kind and supportive. It’s fundamental that they enjoy sharing their craft and emotions with each other. I think this cast trust my ideas and opinions as well. The theme made us open up and face different political opinions, what I consider a great opportunity to practice compassion. The show requires one meeting to read the script and two musical rehearsals. I consider this experience a miracle!
Another miracle is to find sponsors who believe in your vision. I’m blessed for I’ve found some angels! The sponsors come in all shapes and forms. First, Marcia Argolo and Jorge Vismara who are with me since 2012. They open their home with smiles and excitement, take pictures, listen and also feed us! No words to thank them. Peter Lownds is always there when I need a translation or an English version, besides helping us with our pronunciation, and appearing on stage as well. Deborah Edler-Brown (who had been part of two celebrations with us) was so kind in correcting and suggesting changes to the press release.
Another couple of angels are Dolores and David Mead, who take care of the lease of the theater. This year Dolores invited two other couples to share the costs of it. Friends helping friends. :-)
And finally, thank you to Miriam Pellegrino of Ubatuba Açaí (present since 2017), Odete Pashaie of Brasilian Blow Dray Hair Salon (thank you, Sonia,) Judy Mitoma (who understands the importance of a helping hand after many years producing The World Sacred Music Festival,) John Crahan (who always shares links of Amy Goodman and Democracy Now with me,) Bengi and Peter (Turkey and Belgium represented), Mandy and John (East coast supporters,) Melinda Kelly (I call her Mel=honey), Paula and Phil Glosserman (Phil was part of the Brazilian Heart group I started in 1998), Cecilia Noel (my Peruvian sister who I had the honor of sharing the stage in my beginning years in Los Angeles), Suzanne Alpert (you never forget who visits you when you go to a hospital,) and Nicole Wesley, a lawyer who loves to support the Arts and showed up at the last minute by the hands of Sarah Pontes. And last but not least, my husband Neal Barbera with whom I learn every day.
A successful performance is a product of sweat, talent, luck plus joy and respect among all involved. I’ve been at fault thanking every supporter for my memory fails once in awhile with the responsibilities my dream entitles. So, let me take the opportunity to thank Brasil Brasil Cultural Center (Amen and Nayla Santo), Ana Laidley (the best samba teacher and therapist ever!), Soul Brasil (Lindbergh Junior and Magali), Ana from the Brazilian Consulate, Maggie Lalique, Sergio and Sasha (KPFK FM), Patricia and Tatiana, Thiago Barreiro, Maria Alice Jacob, Viver Brasil Dance Company (Linda Yudin and Badaró), Beto Gonzalez and Samba Society, Bob Easton, Fabiano do Nascimento, Simon, Fabio, Bill Brendle, Flavio Medeiros, Isaías Elpes, Clarice Cast, Felipe Fraga, Antonio de Sat’Anna, Leo Costa, Mitchell Long, Ted Falcon, Catina deLuna, Anna Beatriz, Mariana Goulart, JP Mourão, Carla Hassett, Mi Medrado, Maria Jacob, Caro Pierotto, and every artist who I collaborated with in the previous celebrations. I’m forever grateful.
If you still didn’t get your ticket, do it now. Witnessing magical moments do wonders to the soul. CLICK HERE FOR TICKETS
Thank you, for taking the time to read this story. Each one of us love what we do, and I’m sure you will feel it on Saturday, March 2nd.